Eurotrash Frame Grab German Cinema Horror Films Italian Cinema Japanese Cinema Korean Cinema Mexican Cinema Poster of the Week Snippets Turkish Cinema Westerns album covers art bitter stuff books cartoons comics film movie advertising music: Ad mats Eurotrash Horror Films Italian Cinema Mexican Cinema movie advertising movie posters movie trailer Science Fiction Soviet Cinema TV Spot youtube
by Sean Spillane
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Bitter Cinema on Tumblr
A sister site, if you will… a bit easier to update and post for the time being. This particular site is not dead by a long shot, but longer form thrills and chills may not be on hand for the foreseeable future, and even then, the subject matter and main thrust of the site may be something completely different than what’s been here for more than eight years. We shall see, won’t we?
But, if you’ve liked the grab-bag aesthetic of pics, movie posters, odd juxtapositions, check out http://bittercinema.tumblr.com. Maybe you’ll even like some of it…
Frame Grab Mexican Cinema art film: El Santo Contra Blue Demon en la Atlantida Frame Grab Mexican Cinema Silvia Pasquel
by Sean Spillane
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Silvia Pasquel in El Santo Contra Blue Demon en la Atlantida
The daughter of Silvia Pinal and now an icon of Mexican television, but never lovelier than her turn as Juno in El Santo Contra Blue Demon en la Atlantida (1969).
Wiki (Silvia)
IMDB (the movie)
Frame Grab Mexican Cinema film: Bunuel Frame Grab Mexican Cinema
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Frame Grab: Ensayo de un Crimen
“I was convinced that it was I who killed her. I assure you that morbid sensation gave me a certain pleasure.”
Mexican Cinema art film: Mexican Cinema Miroslava
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Mexican Cinema art film movie advertising: Bunuel Ensayo de un Crimen Ernesto Alonso Mexican Cinema Miroslava movie advertising movie posters
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Ensayo de un Crimen
Ernesto Alonso was a colossal figure in Mexican television, a creator, producer, director, writer, and actor of many Mexican “telenovelas”, a key figure in that national form’s growth as an international phenomenon. I know him mainly as the lead in Buñuel’s Ensayo de un Crimen (The Criminal Life of Archibaldo de la Cruz). He also provided the narration to the very beginning of Los Olvidados, where he stated, very matter-of-factly, that “this film shows the real life… It is not optimistic. The solution of this problem is left to the forces of progress…”
Mexican Cinema art film: Bunuel legs Mexican Cinema Silvia Pinal Viridiana
by Sean Spillane
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Silvia Pinal in Viridiana
One’s almost tempted to call Pinal the first great Buñuel blonde (the other, of course, being Deneuve), but I don’t think Don Luis was all that enamored by blonde tresses (like that other Catholic director who wouldn’t stop about Tristana’s wooden leg). Indeed, he was more of a leg man. Or a foot man. Or, more properly, a shoe man. Such were the preoccupations of men born at the cusp of the 20th Century.
More of Buñuel legs.
Y mas.
Y encluso mas.
Mexican Cinema art movie advertising: Bunuel Mexican Cinema movie advertising movie posters
by Sean Spillane
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Mexican Cinema music: Jorge Negrete mexica musical youtube
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Mexican Cinema art film movie advertising music: Bunuel Jorge Negrete Libertad Lamarque Mexican Cinema
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Gran Casino
Buñuel’s first film in Mexico.
Coffee, coffee, and more coffee







